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Blue Durango
A retired DEA agent smuggles Chinese migrants across the Mexico–U.S. border, evading cartels and corruption in a perilous bid for freedom and asylum.
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A young couple’s love unfolds across time in seven lyrical vignettes exploring memory, healing, and the emotional logic of old-world medicine.

Dickran risks everything to build a secret memorial in the Syrian desert, honoring the Armenian genocide amid a nation torn by civil war. “If these sands could talk – of…

Belgium funds languages, not writers—protecting symbols over people in a multilingual society where English quietly leads among the young. “When subsidies are attached to language rather than to writers, the…

Fiction editor Filippo Beltrami speaks with Lydia Renfro on place, Turkey, food, language, and cultural displacement behind her story “Greetings From.” “Story moves us past superficial differences and shows how…

Jon Filipek he discusses Here We Go Again, his flash fiction piece in the Winter 2025 issue of The Brussels Review, reflecting on its origins, the constraints of short form,…

Seyben reflects on memory, displacement, and motherhood, drawing connections between her teenage years in Türkiye, her family’s forced relocations, and her present life in the United States. The conversation explores…

Fiction editor Femke van Son speaks with writer Laurence Klavan about his short story The Sleepwalker, published in the Winter 2025 issue of The Brussels Review.

Across nonfiction, poetry, fiction, and visual art, the issue examines how individuals are shaped by inheritance, memory, power, and silence; and how meaning is constructed when continuity is broken, distorted,…

Femke Van Son speaks with writer Lia Tjokro about her short story The Caretaker of Tears, featured in the upcoming Winter 2025 issue of The Brussels Review.