This post may seem like a ritual every 3 months, but that impression is only surface deep. The art featured in this new issue is anything but ritualistic. We don’t claim the high moral ground or promise “amazing” literature; instead, we simply bring what has impressed us. So, it is pointless for me to linger…
A bold new anthology from The Brussels Review, TBR Blanc offers fiction unbound by theme—where language becomes canvas and constraint becomes catalyst. “TBR Blanc is not emptiness but canvas: an open field where language becomes color and constraint becomes catalyst.”
The desert in Ximena Maldonado Sánchez’s paintings is not a place but a pulsing, radioactive body remembering heat, exile, and hallucination.
A raw meditation on grief, voice, and the brutal clarity that follows loss—urging writers to abandon polish and write with unflinching truth.
A furious, unrelenting poetry of rupture—Almadhoun’s verses indict, mourn, and resist with devastating force.
Eurovision is what happens when musical theater and international diplomacy get drunk at the same wedding—messy, performative, and dazzlingly absurd.