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The Non-Centrality of the Character
An essay on why vivid prose centers action rather than characters, showing how pronouns can conceal weak sentences and stall narrative momentum.
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An essay on why vivid prose centers action rather than characters, showing how pronouns can conceal weak sentences and stall narrative momentum.
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Gravel Road Memory Sure this home was a home taken and now it’s a home taken again or taken over with blind ideals and shiny buildings— Tell me tell me…


She constantly finds herself staring into the dark grey sky as thunder rumbles in the distance, carefully holding her bleeding heart in the soft palms of her hands— the same…

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Nobody in this room believes any of these words you are telling us. It’s all bullshit. And we have heard enough.

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