Robert Menasse’s novel “The Capital” is a multifaceted narrative that hits straight to the heart of Brussels and the EU bubble. With a keen eye for detail and a penchant for weaving together diverse storylines, Menasse crafts a story that is as much about the city and its sociopolitical landscape as it is about the characters inhabiting it.
Set against the backdrop of the 50th anniversary of the European Commission, “The Capital” introduces readers to a vibrant cast of characters, each of whom offers a unique perspective on life within the EU’s administrative machinery. Menasse skillfully uses these characters to explore broader sociological themes, shedding light on the complexities and contradictions of contemporary Europe.
Brussels is not merely a setting in “The Capital”; it is a living, breathing entity that shapes and is shaped by its inhabitants. The city’s labyrinthine streets and imposing bureaucratic buildings provide a fitting metaphor for the intricate and often opaque workings of the EU itself. Menasse’s vivid descriptions bring Brussels to life, highlighting its role as a microcosm of European unity and diversity.
The novel’s depiction of Brussels goes beyond its physical appearance, reaching to its sociocultural fabric. Menasse portrays a city teeming with a mix of cultures, languages, and ideologies, reflecting the broader European experiment. This multiculturalism is both a source of strength and tension, mirroring the challenges faced by the EU in fostering integration while respecting national identities.
At its core, “The Capital” is a sociological exploration of Europe at a crossroads. Menasse addresses the erosion of the European ideal, presenting a continent grappling with nationalism, bureaucracy, and the quest for a collective identity. Through his interesting characters, he examines the impact of EU policies on individual lives, revealing the often-impersonal nature of large institutions.
One of the central themes of the novel is the disillusionment with the European project. Menasse’s characters, ranging from bureaucrats to lobbyists to ordinary citizens, grapple with feelings of disenchantment and skepticism. This sentiment is personified in the character of Martin Susman, an Austrian official who becomes increasingly cynical about the EU’s ability to effect meaningful change.
The interplay between the characters’ personal struggles and the broader political landscape underscores the complexity of European identity and the ongoing search for unity. Yet, amidst the cynicism, Menasse also offers glimpses of hope and resilience. The novel suggests that despite its flaws, the EU remains a vital force for peace and cooperation in Europe.
The strength of “The Capital” lies in its rich character development. Menasse introduces readers to a diverse array of individuals, each representing different facets of European society. From Fenia Xenopoulou, a Greek-Cypriot PR officer desperate to reinvigorate her career, to David de Vriend, an Auschwitz survivor living out his twilight years in Brussels, the characters provide a human dimension to the political narrative.
Through these characters, Menasse explores themes of memory, identity, and belonging. David de Vriend’s story, in particular, serves as a poignant reminder of Europe’s tumultuous past and the imperative to remember and learn from history. His reflections on his experiences during World War II add a layer of historical depth to the novel, highlighting the enduring impact of the past on the present.
“The Capital” is a compelling and timely novel that offers an insightful reflection on contemporary Europe and its future. Robert Menasse’s ability to blend satire with serious sociopolitical commentary makes for a thought-provoking read.
For those interested in the intersections of politics, culture, and identity, “The Capital” is an essential read. It challenges readers to consider the complexities of European integration and the ongoing struggle to balance unity with diversity. Through its rich storytelling and vibrant character portrayals, the novel ultimately underscores the importance of striving for a more cohesive and empathetic Europe.
However, while “The Capital” is a compelling and insightful novel, it is not without shortcomings. Some readers might find the narrative’s pacing to be uneven, particularly as it changes lanes between multiple storylines and characters. The intricate weaving of diverse plotlines, though enriching, sometimes leads to moments where the momentum slows down, and can be a challenge for the reader who prefers a more streamlined narrative.
Additionally, the novel’s deep dive into the bureaucratic intricacies of the EU may feel overwhelming for those less familiar with European politics. Further, Menasse’s meticulous attention to detail, while commendable, often borders on the excessive, potentially alienating those readers who are not as invested in the intricacies of EU operations, particularly the US and other English speaking readers.
When compared to other works by the author, such as “Enraged Citizens, European Peace and Democratic Deficits” and “The Expulsion from Hell,” “The Capital” stands out for its satirical but earnest portrayal of contemporary European issues. Unlike his previous works that often explore just Austria’s historical and cultural context, “The Capital” expands Menasse’s scope to engulf the entire European continent, making it a significant addition to his publications.
In the literary landscape, “The Capital” can be seen alongside works like Michel Houellebecq’s “Submission” or Jonathan Coe’s “Middle England,” which also tackle the complexities of European identity and politics. Menasse’s novel, however, distinguishes itself through its unique blend of satire and heartfelt reflection on the European project.
“The Capital’s” writing style is marked by its sharp wit and rich, descriptive prose. His use of irony and satire adds depth to the narrative, allowing him to critique the EU’s bureaucracy while maintaining an engaging and often humorous tone. Repeating, the vivid descriptions of Brussels and its diverse inhabitants paint a vibrant picture of the city, turning it into a character in its own right.
The novel employs multiple perspectives, giving readers a panoramic view of the EU’s impact on various individuals. This narrative technique not only enriches the storytelling but also underscores the theme of the web that lies underneath the heart of the European Union.
All that said, “The Capital” is an ambitious and thought-provoking novel that offers a deep exploration of contemporary Europe. While it excels in character development and thematic depth, readers should be prepared for its intricate and, at times, dense narrative. For those willing to engage with its complexities, the novel provides a rewarding reflection on the ongoing struggle to balance unity with diversity within the European Union.
Despite its occasional narrative sluggishness, “The Capital” remains a vital read for anyone interested in the intersections of politics, culture, and identity in Europe. Menasse’s ability to blend satire with serious socio-political commentary makes it a standout book that challenges the readers to consider the future of European integration.
Put it on this summer’s reading list. It is well worth the 14$ on Amazon.
