View From The Bar Harbor Inn

Gray advances, erasing blue.
Umbrellas pop like mushrooms.

Asphalt shiny with rain.
Smell road? The scent of ghosts.

Storm wind rocks the oaks,
Strips orange off the maples.

Sky a puzzle of leaves and branches.
Wallpaper blooms between windows,

Flowers frozen in mock spring.
Birds avoid singing—

They huddle in empty nests
Dreaming of spring.

Above me, five blades
Are a rotation of wings.

Breeze chills my sheets.
Night turns windows to mirrors.

I appear mannequin
Without blink or heartbeat.

Maine

Bone white cruise ship
Anchored off Porcupine Island
Spurts gray exhaust
Through a blue funnel.
Wind blows the stink of diesel
South to Seal Harbor.
Shore paths closed for repair.
Winter storms shoved
Brick, stone, cinder block
Inland to underwater parking
Or dragged them to the sea.
At the Bar Harbor Inn,
A beard on a cherry picker
Nails fresh siding one floor up.
His picker’s parked
In a nest of scraggly maples.
A few skeleton branches
Sport peanut-sized buds.

The beard begins drilling.
I make eye contact
During a pause in the racket.
I wave big—he pretends
Not to see me.
Downtown visitors
Begging directions
Sometimes confess
My eyes are black as death.

Stingray Beach

Man with red trunks
Enters the ocean.
Waves tumble white.
He wades in penis deep.
Surf disappears the red.
A wife or mother
Joins him in the breakers.
He’s thin. She’s husky.
They chatter like kids—
They are their own children.
Currents shove kelp balls
Onto the strand.
Black bird of prey kite
Circles above the couple.
Rip drags them north
To Stingray Beach.

Face Of Stone

Kid laughter and yelps
Age me a half-century
In my upstairs office.
I hate them for being
Young and immortal.
Bianca conks Jonathan
With a rubber hammer.
Ambrosia zips by on a razor.

I remember young
During Moloka’i summers
Racing big brother
On horseback.
Grandma made us
Crack coconuts
And shovel manure.
We overflowed wheelbarrows
With mare poop.

I pretend suburban hero
In white V-neck and shorts
Washing a polar sportscar
On my broken driveway.
Silver peeks through
Camouflaged hair.
I’ve become invisible
As children run paths
To fame and fortune.
My face in white paint
Turns to stone.

Permanent Damage

My right eye refuses to blink.
It remains open and frozen

As a dead tuna.
Sunglasses keep the retina

From burning on days
Without clouds.

The left eye ignites with life.
It mocks the failed one

By lid-fluttering as fast as
A hummingbird’s wings.

The side of my face
With the bum eye

Droops as if melted.
Don’t snap pictures of me,

Even at Christmas.
No graveyard burial for me.

Fire up the gas
And burn me to ashes.

Headstones

Granite headstones
Behind the chapel
Lean into each other,

Almost touching.
Three inches apart and closing.
Weather-blasted names.

Do graveyard residents
Know their neighbors?
Without visitors,

The bones of the forgotten
Ache for recognition
From those underground.

The buried utter
Truths and exaggerations
That find the ears of birds.

The Merwin Compound, Maui

Here the palms grow tall
Challenging the sun.

Goat droppings perfume
Mosquito grottos.

Bufo croaks
The underbrush alive.

Ferns battle for light.
Earth fouled

By Dole Pineapple
Accepts monsoon rain,

Driving poison into
The netherworld

Ruled by Hawaiians.
Spirits of lost

Piha Kanaka Maoli
Weep in the darkness.

notes:
Bufo: toad
Piha Kanaka Maoli: having pure Hawaiian blood

 

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  • Kirby Michael Wright was born and raised in Honolulu, Hawaii. He is a graduate of Punahou School in Honolulu and the University of California at San Diego. He received his MFA in Creative Writing from San Francisco State University. Wright has been nominated for five Pushcart Prizes and is a past recipient of the Honolulu Weekly Nonfiction Award, the Jodi Stutz Memorial Prize in Poetry, the Ann Fields Poetry Prize, the Academy of American Poets Award, the Robert Browning Award for Dramatic Monologue, Arts Council Silicon Valley Fellowships in Poetry and The Novel, and the Redwood Empire Mensa Award for Creative Nonfiction.

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